Should historic works created during different times with different sensibilities be shelved? Should the work be altered? Can the work be done if proper context is provided? How often do you see representations of people who look like you on a regular basis? (No. Yes. Yes. Almost never.)
These were just a few of the questions asked at a Monday night forum on theater and race sparked by a recent Seattle Gilbert & Sullivan Society production of “The Mikado” that cast 40 non-Asian actors in Japanese roles. The event, “Artistic Freedom and Artistic Responsibility,” featured a panel of theater artists and was organized by the Seattle Repertory Theatre, the City of Seattle’s Office of Arts & Culture, the city’s Office for Civil Rights and King County’s cultural-services agency 4Culture. In addition to the panelists, the discussion drew in discussion from audience members who had submitted comments in advance.